求《海底总动员》观后感的英语作文
一 Finding Nemo
Finding Nemo is a great story. Try not to look at it as a naive cartoon just about fish swimming around. If you really look into it deeply. You will learn lots of value.
At first Nemo was just a kid as any kids. He thought he can do everything. When he tried to prove how brave he was. He swam alone far away. And then got caught by human.And after that is the story about how Nemo's father try to rescue his son and Nemo how to escape by himself. And in the procedure Nemo has learned he was only a kid. Something he can not do. He should not be that naughty and let his father worried about him. In another way, his father felt regret about how rude he treated his son. At the end of the story, the met again. And they finally knew the relationship of family is the most valuable thing in the world.
Nemo's story actually happen to every kids and parents. Parents want their children become better and their children always want to show they have already grown up. From the story, I think they should both learn something.
二Hilarious, exciting and endlessly inventive, Finding Nemo is an awesome aquatic animation which will exhaust the adjective store of even the most hyperbolic film hack (ahem). One word just about does the job: genius. Somewhere, under the sea, weak-finned clown fish Nemo (Alexander Gould) lives with his fretful father, Marlin (Albert Brooks). Smothered by pop's paranoia, he ventures away from the reef, but his dad's dread is justified when a passing diver whisks him away. Taken to a tank in a Sydney dentists, Nemo meets Gill (Willem Dafoe) and co - friendly fish who dream of escaping to the ocean. Meanwhile, Marlin bumps into a blue tang named Dory (Ellen DeGeneres), and sets out to save his son... It's a familiar formula for the digi-drawn dynamics of Pixar, whose Toy Story and Monsters, Inc. have proved such critical and commercial hits. How increasingly impressive the achievement, then, that Finding Nemo feels so fresh. There is beauty and brilliance in every frame. Tasked with creating an undersea environment, the animators have excelled themselves, capturing textures, light, shade and movement that could be photo-real, were it not for the clever way the makers have subtly caricatured landscapes, as well as characters, lending a warm cartoonish quality to the stunning visuals. The splendour of natural history hit The Blue Planet is matched by the wit of the script and stars. Barry Humphries has a terrific cameo as a great white shark who's sworn off killing (Remember, fish are friends, not food!), while DeGeneres provides perfect timing and tone as Dory, whose short-term memory loss is a gag that never stops running.
滑稽,令人兴奋的无尽的新颖、《海底总动员》是一个令人敬畏的水生动画,店的形容词累趴下,即使是最双曲电影黑客(恩)。一个词只是工作做:天才。在某些地方,在海中,weak-finned小丑鱼尼莫(亚历山大-高德)生活在他的焦躁不安的父亲、马林鱼(艾伯特·布鲁克斯)。给窒息了流行的妄想,他经营企业离开礁,但他父亲的畏惧是正当的当经过的潜水员产生他走了。送往坦克在悉尼一家牙医,尼莫遇到吉尔(威廉·达福)协同作战和co -友好的梦想的鱼跑到大海。与此同时,马林鱼碰到一个蓝色的唐名叫多利(-利),并且列出了拯救他的孩子……这是一个熟悉的公式,其动力学digi-drawn皮克斯动画工作室《玩具总动员》和怪物有限公司已经证明了这种临界和商业支安打。怎么越来越令人印象深刻的成就,就《海底总动员》感到很新鲜。有美丽、卓越在每一个框架。海底环境创造一个任务背后都超越自己,捕捉纹理、光、帘与运动,可以photo-real,如果不是聪明的办法制造商巧妙地卡通景观,以及特点,贷款一个温暖的卡通亮丽的视觉品质。自然历史那阿了相匹配的蓝色星球上剧本的机智和恒星。巴里·汉弗莱斯有着美妙的客串作为一个白色的大鲨鱼不共戴天的不杀生(记住,鱼类是朋友,不是食物!),而德吉恩里斯就提供了一个最理想的时间和声调就跟他的嘴,短期记忆的损失是永不停止工作。
海底总动员英文观后感
海底总动员英文观后感 NO1 Hilarious, exciting and endlessly inventive, Finding Nemo is an awesome aquatic animation which will exhaust the adjective store of even the most hyperbolic film hack (ahem). One word just about does the job: genius. Somewhere, under the sea, weak-finned clown fish Nemo (Alexander Gould) lives with his fretful father, Marlin (Albert Brooks). Smothered by pop's paranoia, he ventures away from the reef, but his dad's dread is justified when a passing diver whisks him away. Taken to a tank in a Sydney dentists, Nemo meets Gill (Willem Dafoe) and co - friendly fish who dream of escaping to the ocean. Meanwhile, Marlin bumps into a blue tang named Dory (Ellen DeGeneres), and sets out to save his son... It's a familiar formula for the digi-drawn dynamics of Pixar, whose Toy Story and Monsters, Inc. have proved such critical and commercial hits. How increasingly impressive the achievement, then, that Finding Nemo feels so fresh. There is beauty and brilliance in every frame. Tasked with creating an undersea environment, the animators have excelled themselves, capturing textures, light, shade and movement that could be photo-real, were it not for the clever way the makers have subtly caricatured landscapes, as well as characters, lending a warm cartoonish quality to the stunning visuals. The splendour of natural history hit The Blue Planet is matched by the wit of the script and stars. Barry Humphries has a terrific cameo as a great white shark who's sworn off killing (Remember, fish are friends, not food!), while DeGeneres provides perfect timing and tone as Dory, whose short-term memory loss is a gag that never stops running. 海底总动员英文观后感NO2 The more things change, the more they stay the same. As we enter the summer of 2003, Walt Disney Pictures reigns supreme as the distributor of the best animated fare. Yet, less than a dozen years after Beauty and the Beast became the first (and thus far only) animated film nominated for a Best Picture Oscar, Disney's in-house animated division has degraded to the point where it's a pale shadow of its former self. However, by acquiring the exclusive North American distribution rights for the films of Japanese master Hayao Miyazaki and by entering into a partnership with Pixar Films, Disney has managed to maintain its position atop the mountain, despite furious challenges from Dreamworks and Fox. Without either of those deals ?especially the Pixar one ?Disney's once unassailable position might have been lost. The movies of the Pixar canon ?Toy Story and its sequel, A Bug's Life, Monsters Inc. ?have all been critical and box office successes. There is no reason to believe things will change with Finding Nemo. Visually, the film is just as jaw-dropping as its predecessors (if not more so). From a narrative standpoint, it's not quite as ambitious as some of the earlier movies, but it has enough juice to keep things moving for 100 minutes. And, as always, the voice casting is perfect. Throw in a moral, and some nice touches of technical accuracy (that fish keepers will appreciate), and the movie represents the best family film to-date of 2003. Finding Nemo takes viewers on an offbeat road trip, as an overprotective clownfish father, Marlin (Albert Brooks), teams up with a forgetful hippo tang, Dory (Ellen DeGeneres), to find Marlin's lost son, Nemo (Alexander Gould). While testing his boundaries and defying his father, Nemo wanders too close to a human scuba diving expedition and becomes an aquarium specimen. Now, he spends his days as a captive in a salt water tank with several other inhabitants, including a royal gramma, a starfish, a puffer, and a butterfly fish, Gill (Willem Dafoe), whose lone goal is escape. Meanwhile, Marlin and Dory brave the dangers of the open seas ?including a trio of would-be vegetarian sharks, a forest of jellyfish, and the belly of a whale ?on their way to Australia, where Nemo is being held captive. Pixar films always contain thematic content, and this one is no different. It touches on the issues of how a parent's natural protective instincts can drive away a child, and how children, no matter how desperately they crave independence, still need their families. None of this is presented in a heavy-handed manner. Instead, it's offered in such a way that even the younger members of the audience will understand what the film is saying without feeling like they're being subjected to a sermon. There's also a message about the importance of diversity and harmony, as a wide variety of animal species band together to help Marlin as he searches for his lost son. Finding Nemo is every bit as humorous as Monsters Inc., although some of the comedy is more low-key. Having experienced comedians like Albert Brooks and Ellen DeGeneres as the lead voices helps immeasurably. Brooks, as is his forte, makes Marlin sound constantly beleaguered. DeGeneres is a hoot as the tang with no short term memory. Willem Defoe brings an initial whiff of the sinister to his part as Nemo's older, larger tankmate. Other voices include Alison Janney, Austin Pendleton, and Geoffrey Rush as a helpful pelican. Director Andrew Stanton has opted to animate some of the fish realistically, while using artistic license with others. The clownfish and hippo tang, for example, look almost identical to their real-life counterparts. The sea horses and turtles, however, have some of their rough edges smoothed out, making them cuter and more child-friendly. Overall, Finding Nemo is a treasure trove of visual splendor. From the opening scenes on the coral reef with Marlin taking up residence in his new anemone to the cheesy insides of Nemo's aquarium cage, the film is colorful and amazingly detailed. Every time I view a Pixar film, I am stunned at how much there is to see. Finding Nemo proves that the computer animators can do as much under water as above it. For longtime fans of Disney animated movies, there are a few nods to past efforts. The death of Nemo's mother, which occurs early in the film (and is offscreen - no blood or overt violence to speak of) recalls a similar event from the classic Bambi. Likewise, a scene in which Marlin and Dory spend some time in the stomach of a whale will remind viewers of Pinocchio. And there's a throw in reference to Toy Story - in this case, a quick shot of a Buzz Lightyear doll. I wonder if Finding Nemo will fuel an upsurge in interest in salt water aquariums. To be sure, clowns are interesting fish to keep, but only for those with a little patience. Children expecting their pets to exhibit the characteristics of Marlin and Nemo will likely be disappointed. Nevertheless, ecological considerations aside, there's nothing to gripe about where Finding Nemo is concerned. Pixar has done it again, and, in the process, managed to salvage Disney's reputation ?at least for a little longer. 海底总动员英文观后感NO3 Somewhere, under the sea, weak-finned clown fish Nemo (Alexander Gould) lives with his fretful father, Marlin (Albert Brooks). Smothered by pop's paranoia, he ventures away from the reef, but his dad's dread is justified when a passing diver whisks him away. Taken to a tank in a Sydney dentists, Nemo meets Gill (Willem Dafoe) and co - friendly fish who dream of escaping to the ocean. Meanwhile, Marlin bumps into a blue tang named Dory (Ellen DeGeneres), and sets out to save his son... The splendour of natural history hit The Blue Planet is matched by the wit of the script and stars. Barry Humphries has a terrific cameo as a great white shark who's sworn off killing (Remember, fish are friends, not food!), while DeGeneres provides perfect timing and tone as Dory, whose short-term memory loss is a gag that never stops running。
